I recently began playing through the episodics extensions of 2015’s Batman Arkham Knight, with the lowest of expectations. I finished playing them excited about an unusual twist to superhero video games that shows up in the Robin episode.
The episodes are all short. The Batgirl-centric “A Matter Of Family” can run a few hours, as it’s set in its own tiny open world and plays as a microcosm of the main game. The other five can each be finished in under an hour and had, I thought, been regarded as insubstantial diversions that provide unsatisfying opportunities to play an Arkham game with the likes of Harley Quinn or Nightwing in the lead role. That’s mostly correct, though I enjoyed how the Catwoman and Nightwing episodes added a little more post-game storytelling, the latter one helping kick off the surprise dynamic in the Robin episode.
During the Nightwing episode, our hero Dick Grayson makes a comment about Barbara Gordon (Batgirl) and Tim Drake (Robin) getting married. I don’t remember if this was telegraphed in Arkham Knight, which I played through in the year it came out and only returned to recently to mop up some sidequests. In the comics, Barbara and Dick had a thing. The Barbara-Tim marriage threw me, but, sure, why not? It seemed like a fun off-camera development.
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There does seem to be some sparks between Robin and Batgirl in Batgirl’s episode, but the romance really hits its stride in the final Arkham episode, the Robin-centric “A Flip Of The Coin.” The little bit of marketing that episode got led me to believe that “Flip” would be all about Robin trying to take down Two-Face. Technically, it is, but that’s not why it is exciting. “A Flip Of The Coin” occurs while Batgirl and Robin should be on their honeymoon. Instead, he’s infiltrating a money-smuggling operation stocked with Two-Face goons while Batgirl keeps a dialogue with him going via his ear piece.
The gameplay in the Robin episode is standard Arkham stuff. The dialogue that plays out between Barbara and Tim is not. As Robin, I grappled from high point to high point, dropping down to perform silent takedowns on Two-Face’s henchmen. As I did this, Barbara and Tim bantered, at first playfully, as a married couple might, but then with some urgency as Robin realized he needed to get some information out of a factory worker.
“The foreman’s in the control room,” Barbara tells Tim. “He’ll know where Two-Face is hiding.”
“I’ll make him talk,” Tim growls.
“Really?” Barbara asks.
“What?” Tim says.
“Nothing,” she shoots back.
“Barbara, I know when you want to say something,” he says.
“Ok,” she says. “It’s just. You were always the good cop, weren’t you?”
“Good cop, huh?” he says. “Ok.”
Robin then interrogates the guy.
These newlyweds care for each other. Barbara is worried about how far her husband will go. Tim seems embarrassed about his rep. Batman is out of the picture by the time these events unfold, and the idea of if or how Robin would replace him hits even harder in the scene that follows. Robin is in a fancy hallway, heading to a circular balcony that looks over a heavily-guarded atrium. There’s a door down there that he needs to get through, but it is blocked by sentry guns and guarded by several thugs. The player has to figure out how to take them down.
Through a loudspeaker, Two-Face taunts Robin: “Let’s see if the Boy Wonder can cope without the Bat to hold his hand!”
“You can do this, Tim,” Barbara says in Robin’s ear piece as the game camera flies over the guarded room, tempting the player to figure out how to bypass the formidable defenses.
The thugs know Robin is nearby and talk tough.
“He’s got guts, I give him that,” one thugs says.
“He’s frigging deluded,” another says. “All that time working with the Bat, he thinks he’s better than he is.”
They continue, mocking Robin’s inexperience. Obviously Robin can hear this, and we can assume it bothers him.
The way to get past this room requires the player to make Robin slide down a vertical air vent and creep through a storage area. As Robin does this, Barbara asks: “How’s it going?”
“Slow,” Tim replies, with clear frustration in his voice.
“Tim, stop that,” she replies. “You’re not him.”
“So everyone keeps telling me,” he says.
“Good,” she says. “I’m glad you’re not. You can be better. I know it.”
Sure, in this case, Barbara Gordon, now known as Oracle, is playing something of a cliched emotional labor supporting-wife role, but in her own episode, she’s the one in charge and Robin plays support. I’m suddenly enamored with this idea of a superhero game in which young newlyweds urge each other on, fret about the influence of the older generation of heroes and find ways to forge their own path. I wasn’t expecting to find something this compelling buried in the maligned DLC for a three-year-old game.
I loved this. I would play more of this.