28. Exodus: Gods and Kings (2014)
Here’s Scott operating at his usual maximum decibels, a big budget escapist piece for grownups that were falling out of favor amid Marvel’s rise to power. Unfortunately, Exodus’ bloated excess, melodramatic incoherence, and overall 300-ification of a story other filmmakers of years past have beautifully told already make it among the weakest entries in Scott’s prolific oeuvre.