People Are Upset About Things That Don’t Actually Happen In Jax’s MK11 Ending

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In keeping with series tradition, every character in Mortal Kombat 11 gets a unique ending sequence depicting what would happen if they won. This game’s big baddie is Kronika, a new villain with the power to control time. She’s got serious beef with thunder god and humanity’s pal Raiden, and she plans to do away with him by rebooting the timeline without him, which is very rude. Those who defeat her in the game’s Klassic Towers mode are granted mastery over time itself, free to reshape it as they see fit. Special forces cyborg soldier Jax’s ending, though, has helped spur a review bomb and a flurry of plaintive conversations across the internet. But it seems like people don’t actually know what happens in the ending, so we’re here to clear that up.

Illustration for article titled People Are Upset About Things That Don’t Actually Happen In Jax’s MK11 Ending

Jax uses his “what if?” scenario to go back in time and prevent slavery.

This is exactly the sort of situation I would expect to encounter in one of Mortal Kombat’s non-canon, hypothetical character endings. It’s a gigantic and loaded decision, but come on—this is a game where people punch each other’s heads off. At least four of the game’s characters—including Jax—were killed and reanimated by an evil sorcerer. It’s hard to take that seriously. But some fans seem to be doing just that—and they’re getting some things wrong in the process.

Mortal Kombat 11’s PlayStation 4 Metacritic user score, as of this writing, is at 2.7 out of 10 and falling. Site users are bombarding the game with negative reviews. Many claim the game is pushing an SJW (social justice warrior) agenda, giving female characters a stronger role in the game’s story and giving Jax his particular ending. Some reviewers have gone as far as calling the Jax ending “reverse racism”:

  • “The story and the ending for Jax is frank racism. “Black Power” ... but yes, we are all blind and do not see reverse racism. I imagine if White Power would have done, how many accusations would there be against developers in racism. But when racism is on the part of blacks, that’s normal.”
  • “The story was excellent (when It comes to fighting game standards), gameplay is solid. However the game is heavily influenced by political views (that’s one thing that I hate the most when It comes to gaming or movies these days). “

Then there’s this reaction from Reddit:

  • “The guy goes back in time to end slavery of black people, but in MK universe, Shao Khan has been enslaving people of all skin colors for about a thousand years, but Jax only cares about freeing black people?”

All this to say, there’s a lot of buzz about what the ending actually does and doesn’t do, and a lot of misinformation along with it. So let’s talk about what the ending actually does.

“I’m lucky. My family and I lived the American dream. But most people who look like me haven’t had that chance. I owe it to them to put things right, and I’m not waiting centuries for people to get woke,” says Jax. As he speaks, an image of slaves in chains being led to ships dissolves in the sands of time, replaced by an image of two European men respectfully greeting African diplomats.

Illustration for article titled People Are Upset About Things That Don’t Actually Happen In Jax’s MK11 Ending

My immediate reaction to the ending was something along the lines of, “Oh, so we’re flipping a switch and ending racism?” But that’s not the case here. As the cutscene continues, Jax admits he doesn’t get it right the first, second or even third time. He puts in a lot of work. I am imagining him hopping back in time, making a small change, hopping forward, cursing loudly and then hopping back in time again, over and over. There is no mention of “black power.” There is no indication that, as one YouTube video suggests, developer Netherrealm Studios is promoting “white genocide.” There’s no evidence that Jax only stopped the transatlantic slave trade from happening, despite it spurring his decision.


The actual actions Jax took and their implications are hard to envision. But is it really farfetched to imagine a black man—or anyone else, really—given the power to rewrite time would use it to right one of history’s greatest wrongs and course correct a human failing that’s caused so much pain and strife over the centuries?

Maybe going back in time and fixing a few things isn’t the worst idea.

Kotaku elder, lover of video games, keyboards, toys, snacks, and other unsavory things.


There is nothing in the goddamned world like the absolute fragility of folks who occupy majority (race/ethnicity/sex/sexual orientation/religious affiliation) status feeling like they might have to share the pie they’ve previously had 99% of.

Think about this for just a moment: Every time someone screams about “SJWs,” what they’re really telling us is that they’re so used to seeing themselves represented in their preferred form of entertainment (here, games) that any storyline, character, or narrative design component that does not support their personal fantasy/sense of self is automatically perceived as a threat.

They couch it as a threat to the “artistic integrity of the medium,” but as most of them have never created anything more complex than a self-insert-as-hero fanfic, their understanding of artistry—and especially collaborative artistry—is exceptionally limited.

The “threat” they perceive is really to their place in the world: a place they have not earned themselves, but occupy by dint of descent and the maintenance of cultural mechanisms that suppress the “other.” is, to put it more simply, the mewling of frightened children who expect everything to be tailored to their preferences, and squall even more loudly than they likely did in kindergarten when they are told that, no, other people and other stories get time, too.