He was a raging asshat back when he did the music for Skeleton Warriors for Saturn and rambling on and on about how bad ass he was and he has only refined his asshat skills.
Western musicians don't deserve to win anything, but as usual we can't do anything, we are forced to see them win and just sit there and watch, they were good in the C64 and Amgia days but now they are awful.
@Omnimon: I would kind agree with AnthonM2, but I would redefine that to "most modern American video game musicians". Good Japanese video game soundtracks seem to have very emotionally charged songs. Good European video game soundtracks have very quirky songs. Both are styles that I don't expect to find in any other medium. American video game soundtracks, on the other hand, seem to draw purely on movie soundtracks. Most "good" modern American video game soundtracks I've heard sound exactly the same: an orchestra plays an "epic" piece, and singers join in when it gets to the intense pieces of the song. Tallarico deserves an award as an organizer; through Video Games Live, he helped bring video game music to concerts. While the concerts definitely have room for improvement, they have the potential to become very good, and Tallarico helped (and still helps) run these concerts. However as a musician, Tallarico doesn't seem to have done anything significant these past few years.
@Avonej: Actually, you really don't agree with AnthomM2. Saying you hear general consistencies within music produced in regions is not the same as "they should all starve because they don't deserve to make a living or walk on the same planet as me."
Even if I 100% agree with your total and utter generalization of a medium and lack of recognition of people as individuals, it's just a matter of your opinion. You like emotionally charged songs, you like quirky songs, but epic orchestral pieces with singing (which might be emotional and/or quirky) are 'not good music'.
I don't support any stance on something as subjective as music that generalizes based upon some irrelevant basis (geography in this case) and dismisses a group of people.
That being said, Tallarico deserved the award that he was given, the Ambassador Award.
Tommy always comes off as such a douchebag to me in every interview/show, etc. I have to give credit to his work, but man... show a little humility once in awhile.
I'm still unhappy that G4 cut Judgment Day though. I thought that the reviews were a bit more fair than X-Play's, but alas... (still respect the Sessler though)
Mr Tallarico is a down to Earth guy, friendly and into the games! The Video Games Live concerts are a fantastic celebration of the video game genre and I loved seeing the show in London. Seeing Tony doing his guitar solo really did bring back memories of Martin McFly playing at the Hill Valley concert.
@Andronix: I liked him well enough until an NPR interview he gave regarding his VGL concerts seemed to trash old video game music. I don't hate the guy or anything for it, but to dismiss everything prior to CD media seems silly especially given how much he contributed to great PCM audio.
Then maybe Minnesotans need to buy some more tickets to his events? :p In Austin they scheduled a THIRD VGL appearance for this tour due to the first two selling out the first time through earlier in 2008.
When you consider the overall budgets for next-gen titles these days, $240,000 on the high end for an integral part of the puzzle is cheap. It sounds like a lot, but for what goes into the entire process and the amount of time actually spent working on the project, it's more than reasonable and appropriate for the industry being worked in. $1000/minute is pretty standard across film, game and television mediums. Obviously, some of the stuff you hear on HGTV, TLC, Discovery and the like is a bit different.
@MM1: I'm sure that this is $2,000 per minute for only the composer and his composition, not for the actual instruments and people that play them, studio time, etc.
I would like to know how much Kow Otani got for Shadow of the Colossus because whatever it was it should be more. That definitely ranks up there as one of the best scores I've ever heard and the only one I bought on CD.
The Katamari scores are pretty close, but that might be a different scenario.
@Witherbucket: Shadow of the Colossus really had brilliant, stirring music. I agree, worth every penny and then some.
Brilliant music can help edge an already brilliant game into unforgettable territory. Katamari is another great example.
I shelled out for the Japanese import of the Chrono Trigger soundtrack back in the 90s. Still have it to this day. It really opened my eyes to just how brilliant video game music can be.
@Witherbucket: SOTC has easily one of the best original soundtracks I've heard (notice I didn't say "for a videogame" - it's just that good). Games that rely so heavily on mood and atmosphere cannot work without a suitable accompanying soundtrack.
I thought Mass Effect had some fantastic music, too. The entire last segment of the game (from Ilos onwards) is driven by one beautiful piece after the other. From The Wreckage in particular was just perfect for that wonderful, post-final-boss scene.
And, of course, every Silent Hill game has an amazing soundtrack. Love Yamaoka's music, love Mary Elizabeth McGlynn's voice (from SH3 on).
@Witherbucket: Katamari is quite different. The soundtrack of Katamari Damacy was composed of songs written by writers and performed by singers who were popular in the 80's in Japan. I'm pretty sure they aren't demanding as high of fees as say... Gackt or L'arc en ciel... Actually, where's the Rock Band download for those artists? That's what I want.
@KuromanKuro Live and PSN: That's a niche thing, but a solid one. Guaranteed downloads for those. They really oughta think seriously about making some J-rock available.
@Ra is on Bones: I've been trying to get a game composer job for 7 years now...it's not easy to break in, but if you've got a modicum of talent, then do your best to make it by any means!
I've been trying get a job composing a game for the last 3 years or so. It always seems like there's no job postings for a composer, or a music director.
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Seems like a really nice, high-energy guy. Doesn't have a bad blood line to be in this whole music gig, either. :)
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Wow. Nothing like taking a back-handed slap at a whole region of people. You and Miley Cyrus would get along great!
Now, back to those Western musicians that you have so much in common with...
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03/27/09
Even if I 100% agree with your total and utter generalization of a medium and lack of recognition of people as individuals, it's just a matter of your opinion. You like emotionally charged songs, you like quirky songs, but epic orchestral pieces with singing (which might be emotional and/or quirky) are 'not good music'.
I don't support any stance on something as subjective as music that generalizes based upon some irrelevant basis (geography in this case) and dismisses a group of people.
That being said, Tallarico deserved the award that he was given, the Ambassador Award.
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I'm still unhappy that G4 cut Judgment Day though. I thought that the reviews were a bit more fair than X-Play's, but alas... (still respect the Sessler though)
And congrats Tommy, you're taller.
03/27/09
He actually responded to me - it was like some crazy meta experience, having someone on TV actually refer to you.
No, I wasn't star-struck, it was just pretty awesome of the guy to have a legitimate interest in the community he' in.
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03/27/09
Mr Tallarico is a down to Earth guy, friendly and into the games! The Video Games Live concerts are a fantastic celebration of the video game genre and I loved seeing the show in London. Seeing Tony doing his guitar solo really did bring back memories of Martin McFly playing at the Hill Valley concert.
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I'll take $100 a minute!
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(Yes, I'm still bitter -_-)
01/14/09
You still have to compose that music.
01/14/09
I'll take my monies now.
01/14/09
The Katamari scores are pretty close, but that might be a different scenario.
01/14/09
Brilliant music can help edge an already brilliant game into unforgettable territory. Katamari is another great example.
I shelled out for the Japanese import of the Chrono Trigger soundtrack back in the 90s. Still have it to this day. It really opened my eyes to just how brilliant video game music can be.
01/14/09
I thought Mass Effect had some fantastic music, too. The entire last segment of the game (from Ilos onwards) is driven by one beautiful piece after the other. From The Wreckage in particular was just perfect for that wonderful, post-final-boss scene.
And, of course, every Silent Hill game has an amazing soundtrack. Love Yamaoka's music, love Mary Elizabeth McGlynn's voice (from SH3 on).
01/14/09
Yeah, Mass Effect had a wonderful soundtrack. And of course, Akira Yamaoka is the man!
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I've been trying get a job composing a game for the last 3 years or so. It always seems like there's no job postings for a composer, or a music director.
*sigh*