Over the coming months the strip will tell the story of Vault 77: One man and a crate of puppets.

Fallout Comic

I got to wander around the shattered landscape, poking at rubble, shooting at people, and trying on clothes. I got my first hands-on taste of the VaultTech Assisted Targeting system, which allows you to pause the action, choose where your bullets are heading on your target's body, and then plays through in slow motion - and there is nothing sweeter than a slow-motion exploding head. It was all very exciting, but as I took a moment to gaze about the room I realized that the most exciting thing about Fallout 3 is what everyone else was doing.

While we all started at the point in the story where we were exiting the Vault we grew up in for the first time, within 15 minutes each of the groups at the six kiosks they had put up in their booth were in completely different places doing completely different things. Some had made a beeline for a nearby settlement, some had found a ruined school building nearby and were involved in combat with some seedy B&D enthusiasts, while others spent a good 10 minutes trying to see if the ruined playground equipment was working from a physics point of view (it wasn't, and yeah...that was me).

Like Bethesda's Elder Scrolls series - especially Oblivion - Fallout 3 is a game that melds itself to the gameplay style of the player, offering something for people who want to explore, kill, or try on different clothing. By the time my 30 minutes was up I was wearing Mad Max-style bondage armor and a baseball cap, while others didn't even bother going into their inventory at all, the barbarians.

The variety is really something to keep in mind when the game comes out and the reviews start pouring in, as the Fallout 3 the reviewers play could potentially be a totally different game than the one you play. The foundation that Bethesda has laid down for you is excellent, but as with any open-world game the experience is ultimately what you make of it.

In this very brief episode of Justify Your Game Todd Howard attempts to justify Fallout 3. Can Todd manage to pull that off in 15 seconds?

Tickets go on sale July 25th at Fandango.com at a price of $10 per day, which includes popcorn, a large soda, and a special Fallout 3 giveaway. Considering I would sell any one of you for parts for a chance to see Wizards on the big screen, the price seems pretty fair. Hit the jump for more details!

Bethesda Softworks®, The American Cinematheque, and Geek Monthly Sponsor ‘A Post-Apocalyptic Film Festival Presented by Fallout® 3’

Fallout® 3 Film Festival to Take Place at the Aero Theatre in Santa Monica, California on August 22 and 23, 2008

July 11, 2008 (Rockville, MD) – Bethesda Softworks®, a ZeniMax Media company, announced today that it has partnered with the American Cinematheque and GEEK Monthly magazine to sponsor ‘A Post-Apocalyptic Film Festival Presented by Fallout® 3’ at Santa Monica’s Aero Theatre this August.

Fallout 3, the highly-anticipated video game from Bethesda Softworks, takes place in a post-apocalyptic Washington, D.C. where every minute is a fight for survival in the formidable wasteland and serves as the festival’s inspiration. The festival will feature six definitive post-apocalyptic movies that depict life or events that occur after a global catastrophe.

‘A Post-Apocalyptic Film Festival Presented by Fallout 3’ kicks off at 7:00pm on Friday, August 22nd with ‘Wizards’ (Directed by Ralph Bakshi) followed by ‘Damnation Alley’ (Directed by Jack Smight) and ‘A Boy and His Dog’ (Directed by L.Q. Jones). The festival resumes at 7:00pm on August 23rd with ‘The Last Man on Earth’ (Directed by Ubaldo Ragona), ‘The Omega Man’ (Directed by Boris Sagal) and ‘Twelve Monkeys’ (Directed by Terry Gilliam).

“We are very excited to sponsor this film festival with the American Cinematheque and GEEK Monthly magazine as this event brings together fans of film and video games like never before,” said Vlatko Andonov, president of Bethesda Softworks. “This is an exciting time for us and this film festival gives us a fun platform to give people further insight into Fallout 3.”

"Co-sponsoring this film festival just made perfect sense for us here at GEEK Monthly magazine,” said Michael Eisenberg, group publisher at Fusion Publishing. “The showing of post-apocalyptic films that have captivated movie goers’ imaginations over the last 40 years and showcasing the definitive post-apocalyptic video game will make for a truly enjoyable festival for fans of the genre.”

Tickets will be available on July 25, 2008 and can be purchased from Fandango.com. The general admission price of $10.00 includes three movies on the bill for that day as well as a complimentary bag of popcorn, a large soda and a special Fallout 3 giveaway. Senior and student tickets are available for $8.00 per day and American Cinematheque members can purchase daily tickets for $7.00.

For more information on ‘A Post-Apocalyptic Film Festival Presented by Fallout® 3’, the movies being shown during the festival or the Aero Theatre, please visit http://www.americancinematheque.com/.

Currently under development by the creators of award winning The Elder Scrolls IV: Oblivion®, the 2006 Game of the Year – Fallout 3 is one of the most anticipated games of 2008 and is slated for release this Fall on Xbox 360®video game and entertainment system from Microsoft, Games for Windows, and PLAYSTATION®3 computer entertainment system.

Fallout® 3 has not yet been rated by the ESRB. For more information on Fallout 3, visit http://fallout.bethsoft.com.

Corresponding with the list of various "chems" are small visual representation of the drugs, these include syringes, tablets, pill bottles, a crack-type pipe and blister packs. In the Board's view these realistic visual representations of drugs and their delivery method bring the "science-fiction" drugs in line with "real-world" drugs.

Our advice, Bethesda: add some antenna and tesla coils to those crack pipes.

OFLC Report: Why Fallout 3 Was Banned In Australia [Kotaku AU]

It's Official: Fallout 3 Refused Classification In Australia [Kotaku AU]

I can't talk about what I saw yet while playing through a chunk of the game last month, but the Bethesda folks took the time to throw together a massive fan-driven 25 question and answer post. In it they touch on everything from child killing and drug addiction to AI and dialog trees. Here's my favorite question. Hit the jump for one on the AI and two more screens. Make sure you check out the full post if you're interested in the game.

1) Which of the following, if any, will be featured in Fallout3; Romance, Sex, Homosexuality, Nudity, Prostitution, Slavery, Cannibalism, Children, Child killings, drugs, addictions? And of the things that won't be featured, can you explain why they won't be included in the game?

It touches on most of those. Slavery, children, drugs and addiction more than the others, as those factor for into the setting more. In regards to nudity and child killings, no, it features neither of those, as they don't really add to the flavor of the game (I'll get into children in the next question more). I think if you look at Fallout 1, and the footprint it has with the topics you ask about, Fallout 3 is pretty much the same, in that it features the types of things you mention at about the same rate, no more, no less. Drugs and drug addiction play a larger role perhaps, as it's a key gameplay device. I think the heart of this question is "has the harshness and maturity of the world of Fallout 3 been tempered from the earlier games?" and I can certainly say "No, it hasn't been."

10) How advanced will the AI of NPC's be this time around? Are they really going to have a life? Speaking to other NPC's in a logical manner, traveling and trading with/in faraway places, Submitting to the player rather than fighting if they know, or think, they're no match for him?

I wish I could answer with a number, like "it will be 17 advanced." AI is difficult to define, the NPCs certainly appear much smarter than our previous stuff, by a lot. Much of that is us giving them better data, massaging what they do so the player gets to see more of it. We added a lot of animations, so people in town are doing more. They "seem" to be interacting with the world in a more realistic manner, but that usually means going up to something and playing an animation. It can be something really simple, like we added "lean against wall". It's funny how something that small can give life to a person. They walk into a space, and just lean against the wall, arms folded. Like Oblivion, we use our Radiant AI system, so most of the NPCs eat, sleep, work, etc. I think we take it for granted now, but it's pretty great to have that level of control. We've also done a lot to the conversation system, which makes them seem a lot smarter, but again, that's better data, not a new system.

On the technical side we spent most of our time doing an all new pathfinding system. Morrowind/Oblivion use nodes for pathing and Fallout uses a navmesh. This is the difference between an NPC having a valid point to stand on (node) versus an area to stand in, or walk around (mesh). You can do much more sophisticated actor movement and behavior with a navmesh, and I think you'll see the results onscreen, especially when the bullets start flying. The actors do a great job of finding cover and using the space well, something we could never have done with pathnodes.

In terms of the NPCs traveling around, many travel around town, and some travel the wasteland. There are a few caravans in the game that go from town to town trading. Radiant AI handles something like that really well.

Lastly, as far as submitting to a more powerful foe, yes they do that, in that they run away. If they're overmatched, they holster their weapon, flee and try to hide. While this sounds cool on paper, it's often not fun at all, and we've ended up really dialing that back, because it gets really annoying really fast, to have people run away all the time. The main faction that still acts like this are the Raiders, the others don't do it so much.

I must say I am disappointed that Blizzard has stayed on the conservative side in terms of design with their updates to Diablo and Starcraft. Diablo will be interesting since World of Warcraft has a lot of Diablo-like qualities. I have no doubt, however, that they will be incredibly fun, addictive and polished games. Blizzard is the top of the class when it comes to game development - nobody does it better.

Man, why's everyone so down Diablo III? There's that rainbow petition and now this? Blizzard cannot win, like never ever ever. Hit the jump for Cheng's post in full:

Diablo III announced. Nice. It looks pretty amazing, especially the gameplay video. Loved the destructible environments.

I must say I am disappointed that Blizzard has stayed on the conservative side in terms of design with their updates to Diablo and Starcraft. Diablo will be interesting since World of Warcraft has a lot of Diablo-like qualities. I have no doubt, however, that they will be incredibly fun, addictive and polished games. Blizzard is the top of the class when it comes to game development - nobody does it better.

In fact, World of Warcraft is currently banned from any computer I own due to its highly addictive qualities. Its easily one of my favorite RPGs.

I know they are working on another Massively Multiplayer Online (MMO) game. I hope its World of Starcraft.

UPDATE:
Dear Blizzard,
Please forgive me.

XOXO,
Ash

When the ship runs out of ocean [ash :: the blog via Big Download]

He started his character with an intelligence of 2 and is chronicling his playthrough on his blog. Funny? A bit. Frustrating? The blogger writes:

This might sound like a downer, but it's a burden to be dumb (Intelligence < 4). It's like being evil; you might get a kick out of the dialogues, but there are much fewer quests and party members available to you. Even Sulik didn't join me! I thought I had read somewhere that the quests in Fallout 2 would play out completely differently for a dumb person, such that he could essentially Gump his way to victory. So far, though, many of the quests aren't playing out at all.

I played Fallout 3 last week in L.A. (in the same room as the legendary, long-lost Crecente). I didn't do very well. Maybe my character's intelligence was set to 2 as well.

Fallout 2 for Dummies: A Post Nukular AAR [Octopus Overlords blog]

Obviously I've gotten a bit off-track here. Here are some new Fallout 3 screens.

This study investigated how fans and producers of media texts negotiate text integrity, which is defined as an ideal about the validity, wholeness, and truth of the text. An evaluation of previous research in fan studies revealed four essential issues underlying fan-producer interaction. These four issues led to the study’s four research questions, which centered on fan perceptions of ownership of a text, construction of status-relationship between fans and producers, construction of status-relationship among fans, and how fans envisioned their labor contribution to the game development process. Research questions were addressed using a discourse analysis of the forum interactions of fans of the digital-game series Fallout. The investigation focused on fan and producer interaction surrounding the release of the controversial next installment in the Fallout series, Fallout 3. Using previous literature and data gathered, the study proposed a model for fan-producer negotiation over text integrity that can be applied to fan-producer interaction in multiple contexts.

As noted at Rock, Paper, Shotgun, "Stay clear if you’re the sort of person who thinks it’s intrinsically funny if anyone calls a videogame a 'Text.'" Probably a wise consideration for many academic gaming works, but it's a thesis built on an interesting premise, and a hell of a lot shorter than a dissertation.

Fallout Fans: Negotiations Over Text Integrity In the Age of the Active Audience [Ryan Milner via Rock, Paper, Shotgun]

“This is an exciting day for Amazon customers and Fallout fans,” said Greg Hart vice president of video games and software at Amazon. “We’re delighted to be the exclusive destination for Fallout 3 Survival Edition; this is a great example of the continually expanding selection we offer to gamers.”

I've not ordered a new release video game from Amazon.com in over five years, and here I am pondering the possibility anew. The only thing that could stop me is the price...$129.99 is a ton of cash to spend, and with the regular CE at $79.99, that means the Pip-Boy is costing you another $50...but it's a Pip-Boy! This is a decision that shall weigh heavily in my mind indeed.

Fallout 3 Survival Edition Preorder [Amazon.com]

Bethesda Softworks® and Amazon.com Announce Fallout® 3 Survival Edition

Fallout 3 Survival Edition to be Available Exclusively on Amazon.com

June 6, 2008 (Rockville, MD) – Bethesda Softworks®, a ZeniMax Media company, and Amazon.com (NASDAQ:AMZN) today announced the Fallout® 3 Survival Edition for Xbox 360®video game and entertainment system from Microsoft, PLAYSTATION®3 computer entertainment system and Games for Windows. The limited Survival Edition is now available for pre-order exclusively through www.Amazon.com/fallout3.

This ultimate Fallout 3 package includes a life-size replica of the Pip-Boy 3000, the wrist-mounted device worn by characters in-game. The Pip-Boy 3000 has been painstakingly recreated and modified for real world display as a digital clock. In addition to the Pip-Boy 3000, the Survival Edition will include all of the items included in the Fallout 3 Collector’s Edition:

o The Fallout 3 game;
o Customized, metal Vault-Tec lunch box;
o 5” Vault Boy Bobblehead;
o ‘The Art of Fallout 3’ hardcover book; and
o ‘The Making of Fallout 3’ DVD

“We’re thrilled to be working with Amazon.com on this exclusive edition,” said Vlatko Andonov, president of Bethesda Softworks. “The Survival Edition offers gamers the unique opportunity to own a piece of video game history along with a collection of limited edition items – it’s the definitive Fallout 3 package.”

“This is an exciting day for Amazon customers and Fallout fans,” said Greg Hart vice president of video games and software at Amazon. “We’re delighted to be the exclusive destination for Fallout 3 Survival Edition; this is a great example of the continually expanding selection we offer to gamers.”

Fallout 3 features one of the most realized game worlds ever created. Create any kind of character you want and explore the open wastes of post-apocalyptic Washington, D.C. Every minute is a fight for survival as you encounter Super Mutants, Ghouls, Raiders, and other dangers of the Wasteland.

Currently under development at Bethesda Game Studios – creators of award winning The Elder Scrolls IV: Oblivion®, the 2006 Game of the Year – Fallout 3 is one of the most anticipated games of 2008 and is slated for release this Fall on Xbox 360, PLAYSTATION®3 system and Games for Windows.

Fallout® 3 has not yet been rated by the ESRB. For more information on Fallout 3, visit http://fallout.bethsoft.com.

GameTap to Offer Classic Interplay Titles [Shacknews]

This of course means that the thumbs-up bobblehead could still be auction viable, should some unscrupulous member of the gaming press choose to part with him. Unfortunately I've grown accustomed to the daily affirmation my little plaster pal gives me, so for now he stays on my mantle lovingly nestled between Cortana and Kos-Mos, as he should be.

What we packed for lunch [Bethesda Blog - Thanks Dave!]

It's embarrassing how anxious I am to play Fallout 3. I can't tell if it's more because I was such a fan of the Fallout ideal, going back to when I used to play it on my old computer, or because this new Fallout has so many neat ideas all wrapped around those same concepts and topped with some amazing graphics. OK, I'm going to stop gushing now. Hit the jump for two more images.

Custom Fallout 3 Power Suit! [Jin Saotome, thanks Nicholas!]

SITE released a statement to clarify its position, stating that it never claimed the images were produced by terrorists, although it didn't admit to knowing from the start that they were video game images. Said the contractor:

SITE reported to its subscribers that extremists posted the image to a password-protected forum affiliated with al-Qaeda. This is entirely accurate. Moreover, this information was part of a report describing the general atmosphere in this forum with regard to extremists' discussions on weapons of mass destruction, making its context all the more important. This report in its entirety is also completely accurate.

It also doesn't like that the Telegraph called it "red faced," either, and says the publication never actually read the report, and nor does it subscribe to its services. Hit the jump for the contractor's full statement:

SITE Rejects Telegraph's Inaccurate Claims

On May 30, 2008, the Telegraph newspaper ran a misleading story, "SITE red-faced as Islamist 'Washington ruin' image turns out to be from Fallout 3 game," which incorrectly and falsely described analysis provided by the SITE Intelligence Group.

Discussing a computer-generated image of a destroyed Capitol Building in Washington that was posted to a jihadist forum, the Telegraph claimed, without any basis, "The SITE Intelligence Group said that the image, showing a ruined Capitol Building in Washington, was created by extremists as part of discussions about the feasibility of nuclear strikes against the US and Britain."

This claim is entirely false, as is the characterization that SITE is "embarrassed" or "red-faced."

SITE rejects the claims by the Telegraph and stands fully behind the accuracy of its information and analysis. SITE at no time maintained that the image "was created by extremists."

SITE reported to its subscribers that extremists posted the image to a password-protected forum affiliated with al-Qaeda. This is entirely accurate. Moreover, this information was part of a report describing the general atmosphere in this forum with regard to extremists' discussions on weapons of mass destruction, making its context all the more important. This report in its entirety is also completely accurate.

The Telegraph is not a subscriber to SITE's services. Apparently, the newspaper made these erroneous claims without actually reading SITE's original report, and the basis of their information for their incorrect article is unknown to us.

The SITE Intelligence Group, a leading provider of intelligence and analysis to governments, organizations, and institutions across the world, has contacted the Telegraph to correct their factually inaccurate and misleading article.

According to the UK Telegraph, SITE found the Fallout 3 images in a video called "Nuclear Jihad: The Ultimate Terror," posted on two possibly al Qaeda-affiliated, password-protected websites, where it also gleaned chat logs from users discussing nuclear attacks on the West.

SITE primarily monitors possible terrorist communications, activity and propaganda for government, business and media clients. We've contacted them to ask about the mix-up and have not yet received reply. We've also contacted Bethesda to see how they feel about their game images possibly being used as propaganda by terrorists, and are awaiting comment.

In an ironic twist, by the way, SITE is based in Bethesda, MD.

SITE red-faced as Islamist 'Washington ruin' image turns out to be from Fallout 3 game [Telegraph]

Fallout 3 soundtrack/poster for GameStop pre-orders [Bethesda]

Nothing like ominous orchestral tunes to help you get your atmospheric post-apocalypse on, right?

Hit the jump for the full release.

May 7, 2008 (Rockville, MD) — Bethesda Softworks®, a ZeniMax Media company, announced today that Inon Zur has created the original musical score for Bethesda Softworks' highly anticipated post-apocalyptic video game, Fallout® 3. Zur, an award-winning composer, has created numerous scores for films, television, and new media.

"We've wanted to work with Inon for a long time," said Todd Howard executive producer of Fallout 3. "He brings so much to the table, in terms of his talent, background, and the music that's influenced him. He's created a score that has epic sweep; from the lonely ambience of the wasteland to dramatic fights for survival."

Fallout 3 features one of the most realized game worlds ever created. Create any kind of character you want and explore the open wastes of post-apocalyptic Washington, D.C. Every minute is a fight for survival as you encounter Super Mutants, Ghouls, Raiders, and other dangers of the Wasteland.

"Fallout 3 is one of the most engaging and demanding projects I've scored," said Inon Zur. "It was very rewarding to put all my creative energy into supporting Bethesda's vision for the game. I'm very proud of the outcome, and look forward to sharing the music with the players."

In addition to scoring a number of best-selling video games, Zur's music has been featured in many high-profile projects including Hollywood film trailers, network television productions, CGI movies, and symphony concerts. Most recently, Zur has composed music for CBS' 'Ghost Whisperer: The Other Side' TV webisode series as well as the Marvel Kids webisodes for 'IRON MAN'.

Currently under development at Bethesda Game Studios - creators of award-winning The Elder Scrolls IV: Oblivion®, the 2006 Game of the Year - Fallout 3 is slated for release this Fall on Xbox 360®video game and entertainment system from Microsoft, PLAYSTATION®3 computer entertainment system, and Games for Windows.

Fallout® 3 has not yet been rated by the ESRB. For more information on Fallout 3, visit http://fallout.bethsoft.com.

For more information on Inon Zur visit http://www.inonzur.com/.

About Bethesda Softworks
Bethesda Softworks, part of the ZeniMax Media Inc. family of companies, is a premier developer and worldwide publisher of interactive entertainment software and has produced numerous award-winning titles, most recently with 2006 PC and Xbox 360® Game of the Year and RPG of the Year, The Elder Scrolls IV: Oblivion®, and the 2002 PC and Xbox® Game of the Year and RPG of the Year, The Elder Scrolls III: Morrrowind®. Among Bethesda's more popular franchises are The Elder Scrolls® series and Fallout®, as well as its licensed properties, such as Star Trek®. Its product line spans the sports, racing, RPG, strategy, and action genres. For more information on Bethesda Softworks' products, visit www.bethsoft.com.

Fallout® 3 © 2008 Bethesda Softworks LLC, a ZeniMax Media company. Bethesda Softworks, Bethesda Game Studios, ZeniMax and related logos are registered trademarks or trademarks of ZeniMax Media Inc. in the U.S. and/or other countries. Fallout and related logos are trademarks or registered trademarks of Bethesda Softworks LLC in the U.S. and/or other countries. Other product and company names referenced herein may be trademarks of their respective owners. All Rights Reserved

People like myself and some people that work here actually grew up as hardcore PC guys, and now we're older, we have kids, we don't have that much time, so we've transitioned. We're console players now.

But we still have those PC game sensibilities. Those are the games we like. So I think BioShock has a little bit of that too. You can definitely feel the old System Shock roots in that game. So hopefully there's a trend there.

I think that we do have a pretty good understanding what all of the different sections of our fan base are interested in, but it comes back to the thing of, you know, gotta make the game that we think is the best. Certainly, try and take those things into consideration, but there are people in the office who spend 14, 16, 18 hours a day making this game, and sometimes, if you're going to break a tie, you go with our instincts.

Personally, if I spent 18 hours a day working on something, I'd be in a mood much less amenable to taking suggestions from fans, so props to the Bethesda crew. Hines also shared some learning experiences about their AI and the ways they've refined it since the Oblivion days:

Like having somebody go off and get themselves killed while you're in the middle of a forest isn't fun, but it is fun if you walk into a town and everybody is acting in a believable fashion. And when you overhear conversations, they're referring to each other by their first name. Like, it just adds another level to the realism.

So I think we've tried to focus on putting more of that stuff in front of the player, and less stuff like, "Oh, this happened two towns away from you!" Just, hey, by the way. That doesn't mean anything.

"When you build it as one thing, there's no way to portion off a section and have it stand on its own without putting the whole game in the demo, which we're just not going to do," said Hines. "And it doesn't really capture the fun of a game like an Elder Scrolls or a Fallout, where you can go where you want and do what you want. So no demo, sorry."

Fallout 3 demo not possible [Eurogamer]

Fallout 3 Collector's Edition Confirmed for Worldwide, Non-exclusive Release [Shacknews]

We don't want [violence] to be the focal point of the game, but it is what it is. It's a violent world, and so the combat should be violent as a result.

I think we've done it to the extent that it's not realistic. It's a bit more tongue-in-cheek. It's Quentin Tarantino. So it's not storming the beaches of Normandy in Saving Private Ryan, where it looks like it's actually happening. It's more Kill Bill. It's violence that's a bit more over the top so it's more comical than disturbing.

"Given how successful it was for us on Oblivion, certainly it's a given that we'll look into it and what we'd like to do," he said, talking of extra content for the anticipated post-apocalyptic RPG. "But I can't tell you when, I can't tell you what it would be, or what it would look like. Will it be bigger stuff like Knights of the Nine or smaller stuff? We've no idea. We'll let folks know once we get down the road."

When I saw Fallout 3 at last year's E3 I thought it looked cool but not being one of the cult of Fallout, I viewed it with the same sort of interest that I do most games I know nothing about: Curious, but not what I would call overly excited. All this changed however, this past Tuesday when I headed downtown to check out the new build of the game that Bethesda was showing off.

From a training system tied to a child's development to the fifties-meets-Steampunk look of weapons, Fallout 3 may not have a solid date yet, but after seeing this build, I can honestly say I am well and truly smitten.

After skipping through the opening cinema which we had seen previously, we got straight to the beginning of the game which I have to say was one of the cleverest set of training levels I have ever seen. You start the game as an infant just being born. Once you have been birthed, you meet your father who had the pleasure of delivering you. A series of dialog choices allow you to choose the sex of your character and his/her name. Then a "Growth Projection" machine is brought over to show what your character will look like when they "grow up." Here you can customize the look of your character by using the many features or simply choose a pre-made character. In an interesting mechanic, the choices you make in creating to your character will be used to create the features of your father, who's face (at this point) is covered with a surgical mask. While in this infant mode, pressing the A button will elicit crying from your character.

Soon you have grown up and you're are now a year old. Your mother is nowhere to be found, but your scientist father is at the ready to care for you. (Pressing the A button will give you baby's first word, Dada) After a series of simple tasks like playing with your toys and opening your playpen, you can explore the room a bit. Now it's time to start picking your character's base attributes. This mechanic is accomplished by the ingenious use of a baby book you find lying on the floor. Each page has a different attribute along with an explanatory rhyme. Here you can add or take away attribute points to suit the way you want your character to advance.

Look at that. Our little boy is growing up so fast! It is now your tenth birthday and it is celebrated by your father and friends with a party in one of the rooms of Vault 101 where you currently reside. The momentous occasion is marked by the receipt of your Pip-Boy 3000, a wrist accessory that will remain with you for the rest of the game. The Pip-Boy 3000 has many of uses for interacting with your character as well as emitting light for use in those darker areas of which there are many. Apparently there is another training level where you turn sixteen and are presented with a BB Gun which will help you train up in your shooting. Unfortunately, we didn't get to see that one but instead, fast forwarded to check out some of the real meat of the game.

The next level we were privy to was a Junkyard scene where you meet the dog who will soon become your companion. Once acquired, your best bud can help you find food, chems and weapons. He can also come in handy in a pinch by helping you attack enemies. But, be careful to keep him healthy because he can die if not properly taken care of. If things get too dangerous, you can always have him wait nearby or send him back to Vault 101 where his safety will be assured.

Now we get to the really fun part, the combat and enemies. As any of you who are familiar with Fallout will know, your enemies are mostly radiated mutants or "ghouls" as they are called in the game. There are various strata of ghouls ranging from simple ones who still have some of their functions and can actually be spoken to, to glowing ghouls who are so infected that they practically leak radiation. The ghouls can use this radiation power to harm you while simultaneously healing themselves and other ghouls around them. But ghouls aren't your only worry, the Brotherhood of Steel is roaming around causing trouble as well and you will often come upon two factions locked in battles of their own.

Taking down these enemies is a snap (well, maybe a few snaps) when you make use of the myriad weapons at your disposal. Weapons can be purchased, stolen or taken off of conquered enemies and it would behoove you to get as many as you can. I really loved the design of the weapons themselves, they really exuded a sort of "SteamPunk" style melded with an almost fifties style. Everything looked as if it was cobbled together from what could be found around the devastated environment. (The Fat Man Rocket launcher was a particular favorite of mine) And of course, as you all know by now from seeing the screenshots, the environment is a fictionalized Washington DC that has been ravaged by nuclear war.

The combat moves beyond the simple point and shoot with the use of Action Points. Your character has a set number of these points that can be used for various actions that target certain parts of an enemy's body. Once an enemy is targeted and the proper buttons pressed, the various body parts of said enemy will light up showing you the percentage chance you have of hitting that body part. Then you are free to deploy those Action Points and watch your enemy's limbs and head fly off in all directions. This mechanic is made even more interesting by pulling you out of your regular first person mode into a third person camera mode that will allow you to see more of the delicious mutant killing action. Once the Action Points have been spent, they will regenerate over time, but using your weapons and running around like a madman will slow that regeneration down.

Of course, Fallout 3 isn't all killing and nuclear mutations. You also have the added pleasure of being able to upgrade you character using experience based skill points to bump up your various skills. There are also Perks that can be used to add to your base abilities and allow you to beef up parts of your character that might have been neglected when you first created it. You max out at level twenty though, so be sure to spend those points wisely.

Everything I saw about this game was impressive, but what really got my attention was its overall art style. The optimistic fifties design juxtaposed against the destroyed landscape is a great choice and is seen everywhere from the HUD to the atomic design of Vault 101. Seeing it sprinkled around the world gave me the same feeling I got the first time I saw the art-deco wonders of BioShock. It's nostalgic yet at the same time seems so fresh and new because we rarely see that style of design in modern games, especially FPSs. It also gave the design team a chance to inject the game with a subtle humor that is evident throughout, even seeping its way into the dialog choices and sound.

The team is still on target for a release in the fall of this year but we still weren't able to wrangle a solid date out of them. One thing we did hear however, was a promise of a hands on at E3 so you can bet I will be signing up for that one.

During their annual earnings report the company said that their net revenue for last year was just over $6 million, with a net income of $5.86 million, most of which came from the sale of the Fallout IP.

The company also went over what they called a two-pronged strategy for 2008. Prong one: Secure loads of money to turn Fallout into a money-printing MMO. Prong two: create sequels, lots of sequels.

At the same time, the company will leverage its portfolio of gaming properties by creating sequels to some of its most successful games, including Earthworm Jim, Dark Alliance, Descent, and MDK.

Interplay says they want to do all of this in-house and is currently on a hiring binge.

Massively Multiplayer Online Game, Sequels Seen as Key to Resurgence

BEVERLY HILLS, Calif., April 8, 2008 /PRNewswire-FirstCall/ — Interplay Entertainment Corp. (OTC Bulletin Board: IPLY - News) recently announced its earnings for the fiscal year ended December 31, 2007, and its plan for the company going forward.

Net revenues for the year ended December 31, 2007 were $6,001,000, an increase of 520 percent compared to the same period in 2006.

The Company reported net income of $5.86 million, or $.059 per basic share and $.057 per diluted share, compared to net income of $3.08 million, or $.032 per basic and diluted share, in the same period last year. The net income reported in the twelve-month period of this year was primarily the result of the recording of $5,750,000 in income from recognition of the sale of the "Fallout" intellectual property.

In addition to reporting the annual results, the company also pointed to its two-pronged growth strategy. First, management is working to secure funding for the development of a Massively Multiplayer Online Game (MMOG) based on the popular "Fallout" franchise. Interplay sold "Fallout" in 2007 while obtaining a license back, under certain conditions, to create and develop a "Fallout" MMOG.

At the same time, the company will leverage its portfolio of gaming properties by creating sequels to some of its most successful games, including Earthworm Jim, Dark Alliance, Descent, and MDK.

The company has recently reinitiated its in-house game development studio, and is hiring game developers.

Interplay Chairman and Chief Executive Officer Herve Caen said, "2007 set the foundation for our growth strategy. Going forward, we have the vision, unique intellectual property, and low debt and operational costs to help us pursue financing for our various projects. Our new Website will streamline our ability to communicate development progress with the public, share brand information with the fans and support our customers."

About Interplay

Founded in 1983, Interplay Entertainment is a developer, publisher and licensor of video game software headquartered in Southern California. Interplay is best known for its successful titles in the Role-Playing Game (RPG) genre with hit series like "Fallout" and "Baldur's Gate." The company has produced and licensed titles for many of the most popular interactive entertainment software platforms in the action/arcade, adventure/RPG and strategy/puzzle categories. Its portfolio of well-recognized Intellectual Properties includes Battlechess, Clayfighter, Dark Alliance, Descent, Earthworm Jim, Freespace, Giants, Messiah, MDK, Run Like Hell, Sacrifice and others.

Fallout 3: The New Pictures At PcGames.de [Fallout 3]

KOXM Episode 107 [OXM Via Fallout 3 Post Nuclear Blog]

Interplay.com [Official Website - Thanks Patrick!]

"We are happy to be part of the ZeniMax family," said Sean "Building upon their great reputation and extending their direct reach throughout Europe and the UK is an exciting, new phase in the expansion of the company."

ZeniMax Media Opens London Office

Bethesda Softworks Establishes European Publishing Arm

16th February 2008 (London, England) - ZeniMax Media Inc., the parent company of Bethesda Softworks®, today announced it has begun direct publishing operations in Europe with the establishment of its London-based subsidiary, ZeniMax Europe Ltd. ZeniMax Europe will be publishing titles throughout UK/EMEA territories under the Bethesda Softworks brand.

Bethesda Softworks has a successful history as a developer and publisher of award-winning titles, most recently with The Elder Scrolls IV: Oblivion®, which won critical acclaim and countless Game of the Year awards. While continuing to work with strategic European distribution partners, ZeniMax Europe plans to deliver a range of compelling titles to the European market in the coming years, including the highly anticipated Fallout® 3 in Fall 2008.

"This is an important step for us as we look to expand our presence in markets outside of North America," said Robert Altman, CEO of ZeniMax Media Inc. "We want to establish direct relationships with retailers and distributors throughout Europe and the UK as we bring exciting titles like Fallout® 3 and Rogue Warrior™ to gamers worldwide."

The European operations of the Company will be headed by Sean Brennan, an industry veteran with over 20 years experience in the European markets. "We are happy to be part of the ZeniMax family," said Sean "Building upon their great reputation and extending their direct reach throughout Europe and the UK is an exciting, new phase in the expansion of the company."

Working alongside Brennan are Greg Baverstock, Director of Sales and Business Development, and Christina Camerota, Director of Marketing and Public Relations. With a wealth of industry experience, the team has recently settled into the Company's new European offices which are located in the heart of London's West end.